Sunday, March 16, 2025

🎬 ~ God's Own Country

 rating: 8/10

disclaimer: i'm trying to write down all my reviews after a long time. my memory of things might be shoddy but i'll try my best to capture what i initially felt about the pieces of media that i consumed in my review.

A QUEER DRAMA WITH A HAPPY ENDING? IN THIS ECONOMY? ngl i was surprised by that, especially considering the fact that josh o'connor's character literally cheated. he was such an asshole in this. i don't know how long their relationship is gonna last post-canon coz they were barely talking. communication is non-existent between them. but i guess they sort of talked it out in the making up scene in the end so maybe they have the capacity to work it out without major divorces. i don't see movies like these very often i.e. original screenplays that're not very well known coz i'm very much a hype train chaser, but i liked it. the british farm life stuff was cool to see and also depressing at times. i would not have the spine to put down a struggling animal who was JUST born. i was sad seeing that. also ass and dicks out is not my type of thing when watching movies. i have an aversion to seeing male body parts on my screen. i'm a prude, i know. anyways, nice movie.

Monday, March 10, 2025

📖 ~ A Monster Calls

 rating: 4.5/5


disclaimer: i'm trying to write down all my reviews after a long time. my memory of things might be shoddy but i'll try my best to capture what i initially felt about the pieces of media that i consumed in my review.


as i said in my goodreads review, this book was the best exploration of grief and death of a parent i've read to death. it was so saddening to explore conor's thinking and his denial about his mom dying, just him waiting for it to be over and feeling guilty for wanting it to be over already. it's a heartwrenchingly beautiful tale and i loved it. the prose, the dialogue, the setting, the gradual escalation, the way his mother's death also affects conor's grandmother: well-done. on a slightly lighter note, harry was so gay like bro u wanted conor so bad fjkdbfkjdf. sorry ik conor put him in the hospital but the potential- okay i'll stop i get it. loved this book. didn't give it a 5 coz my gut was telling me not to and also i read this over a really long period of time due to uni work so that may have mellowed out my experience. i just remember feeling really strong emotions in the beginning. shame that didn't go on for too long coz i stopped reading for a few days.

Sunday, March 2, 2025

🎬 ~ Emilia Perez

 rating: 2/10

disclaimer: i'm trying to write down all my reviews after a long time. my memory of things might be shoddy but i'll try my best to capture what i initially felt about the pieces of media that i consumed in my review.

watched this on my birthday with rachel at her dorm <3 i had hope, okay? i had hope for the first eight or so minutes. and then pre-transition emilia started singing and my hope evaporated faster than water splashed on a hot pan. this is the worst movie to ever grace an awards roster. this movie was an industry experiment. the nominees of every category this movie won in were robbed so horribly it made international news. wicked didn't deserve this treatment. CHALLENGERS didn't deserve this treatment. truly what was this? don't even get me started on the bullshit with karla sofia garcon. i can't comprehend the level of tone-deafness you must be in possession of to not only begin producing this movie, but to go through with it and decide to release it to the world. isn't the director french?? WHY is he making a movie about a cartel boss from mexico? using every mexican stereotype known to man? also selena's musical moment was cringe and unnecessary. it was a weird music video moment with a bad song at that. and "my pu$$y still hurts when i think of you" was EGREGIOUS work like wtf who wrote that. it also got a shocked gasp out of me and rachel tho so i admit it was funny. n e ways ion wanna talk any more about this movie. it was shite and we were dozing through half of it. 

Saturday, March 1, 2025

📖 ~ Candide

 rating: 4/5

 i read this book academically for my history class at elmhurst and i'm glad i did coz this book was fucking ridiculous and i loved it. i apologise, voltaire—i was not familiar with your game. the jesus x reader fanfic i read on wattpad has you to thank because this is indeed the original crack fic. this book somehow manages to be absurd while also being educational of the socio-political values of the age of enlightenment. it's a good cerebral read, even though i crammed half of it the day before my 19th birthday because i was behind on the essay i had to write on it which was literally due in one day. can't say i remember much of it anymore except for the ambiguous ending and martin being an icon. i would be glad to reread this book someday. definitely making it required reading if i ever end up teaching an english class in uni.

Saturday, February 22, 2025

🎬 ~ Anora

 rating: 9/10

disclaimer: i'm trying to write down all my reviews after a long time. my memory of things might be shoddy but i'll try my best to capture what i initially felt about the pieces of media that i consumed in my review.

i've heard the criticisms, yes, but i'd like to judge this separately from people's criticisms of sean baker and mikey's choices in playing her character. this movie... was an experience. i understand why it did so well in festival circuits because, i don't mean to be pejorative, this is such a film bro movie. a lot of the story lies in subtext and what the characters are not saying. ani is always putting up a front to protect herself, vanya's family and their connections are not fully explained which does add this layer of mystery to who they really are and what they're capable of. none of the threats ani is aimed with are empty, which makes it a wonder for her to have come out of that situation on her feet. maybe that's why that last scene with her finally breaking down and allowing herself to cry with igor hits so hard. i liked this movie's portrayal of female strength because i remember clearly thinking i would've cried, yelled or had multiple breakdowns if i were in ani's place. i love her as a character and respect her mental fortitude for putting up with all that. wonderful self-titled movie. but did this movie deserve to win so big at the oscars? fuck no. wicked and challengers were snubbed HARD. admittedly, mikey deserved that oscar, i have no issues with that. editing? okay sean baker you did well. but did this deserve best picture, best director and best original screenplay over dune 2, challengers and a real pain? no. absolutely not. this was an industry thing like with emilia perez. but anora winning over emilia perez was the lesser of two evils. that movie was ass smeared with shit. 

Thursday, February 20, 2025

📖 ~ Ace of Spades

 rating: 1/5


disclaimer: i'm trying to write down all my reviews after a long time. my memory of things might be shoddy but i'll try my best to capture what i initially felt about the pieces of media that i consumed in my review.


i'd heard this book was bad, and i was willing to give it the benefit of the doubt, but this was BAD. chiamaka was spineless, devon was slightly better but i still couldn't tell you what his actual personality was coz he kept crying in every single chapter, and everyone else were just giant a-holes. this is an insult to the dark academia genre. it's like a CW show that got cancelled after one season masquerading as something more sophisticated than it is. the writing? horrendously juvenile, also mind-numbingly lazy. there's not a single smart bone in this book's body. everything that happens just happens for the plot's convenience. the plot was so predictable, literally every singe one of my theories turned out to be right and i felt so pissed about it coz it was the most laziest outcome. chiamaka is so blind. for a smart regina george she is literally ass at what she does. her character is as strong as wet toilet paper until suddenly she pulls a badass move and everyone applauds her girlboss behaviour. and yea, let's get to devon. bro wants to get into julliard. okay, cool. music is really important to him. also cool. but the author doesn't even bother trying to show the technical aspects of his music in the writing. it's all abstract flowery shi describing what he feels like when he's playing instead of yk... what he is ACTUALLY playing. it's such lazy writing bro. and the plan the journalist lady cooks in the last part ohmygod; it was alr stupid but these stupider teenagers just went along with it anyways and had the audacity to be surprised when it didn't work out and they were double-crossed. guys. use ur SINGULAR braincell PLEASE. how on earth did y'all even get into yale and julliard u have no brain goodness gracious. once again, this book is an insult to dark academia. it's ass. that's my review.

Friday, February 14, 2025

📖 ~ The Secret History

 rating: 5/5


i am so thoroughly shocked to my core that i find it hard to grasp words adequate enough to describe what is undoubtedly donna tartt's magnum opus. i read this over the course of two weeks, mostly regularly, in between classes, sipping cups of coffee or tea, or afterwards in my dorm. it has been one of the best reading experiences i've ever had. god, what a ride. this is not a book that's read, it's lived. it played out so clearly in front of my eyes. in the words of taylor alison swift, it's the greatest movie never made. they're such a fuxxed up little circle of friends codependent on each other, but they stick by their own. blood of the covenant—how the saying goes. henry's suicide was such a rude shock to my system. never in a million years did i expect that particular outcome. when i thought francis had killed himself as well, my heart had a violent fit in which it constricted badly and i weeped. probably should've read the rest of that page before succumbing to my emotions, though. he survived in the end. maybe. i think everyone reached the worst conclusion they possibly could have. it immediately makes me melancholic thinking about them bright and spritely during their heydays at the college, juxtaposed with the state of them a year from that point. such sunny lives, such a dark future. if i ponder on it too long i'm afraid i'll be caught in perpetual grief.


the writing was obviously immaculate. donna tartt is a master of her craft. her way with words, how she stitches sentences together, the imagery she evokes; it's like every letter radiates such being, you know? it's extraordinary. 


now, obviously, i must talk about the sheer homoeroticism of richard and henry. no one can sway me from this path. there were just one too many instances that drifted by my eye for me to ignore this reality. call me delusional, but i think from among everyone in the group, richard knew him the best. the other day i told abby i know her before the thought can even escape my subconscious, and i feel like it's the same for them but worse. homosexuality isn't even a hush-hush subtext in this book. it's blatantly right in front of the reader's eyes: francis is gay, richard and him make-out (and probably would've ended up sleeping together had charles not interrupted), and francis and charles have clearly been said to sleep together on multiple occasions. even bunny's homophobic comments are proof of this. all this to say: the text says a lot without saying it. richard and henry have something that is unspoken, that much is clearer than the glass of the closet they're locked in. they never say it out loud because they don't have to. it's all there, whether or not they can see it (i believe richard willingly chose to be blind to the nature of his connection with henry. henry, on the hand, was self-aware enough to know this facet of their relationship, albeit he kept it to himself). henry has always wanted richard to see the best parts of him, and when he ultimately could not follow that whim no longer, he must've realised richard knew him better than he thought he did, and let richard see the rest of him and decide for himself how he would think of henry for the rest of time. and judging by the way richard talks of him so fondly, i believe richard wholly accepted henry for who he was (because ultimately, they're the same brand of fucked-up) and if they'd been given the luxury of time, i have no doubt they'd have been together. and honestly, judging by the ending scene, they're going to be together in the next life (but that may just be my delusion haha).


what else, what else? seeing how the whole group falls apart in bunny's absence, i think he really was the glue holding them together. because if you really think about it, some of the things he said, even if ill-worded and rather contemptuous at times, were actual concerns; like charles' drinking problem, the incest (horribly shocking, by the way), and like any sane person, the murder of the farmer. he had a valid response to the news of his friends murdering someone, even though he went about it really badly. he couldn't have possibly known they'd kill him for it—in the beginning at least. i can't imagine what must've gone through his head when he fell—that heart-stopping moment when he'd been pushed backwards, the faces of those he called friends, and the few seconds of fading life when he'd broken his neck—that paralysing betrayal, and the horror of his darkest fears come to life. 


camilla remained an enigma throughout, maybe not due to my own poor comprehension of her character, but because even richard could not truly understand her in the end. i find that a little interesting. he had a good grasp of everyone, but despite loving her, he never really knew her, not the way he did henry, nor anyone. she's surrounded by this odd air of mysticism, her motivations are scarcely clear, if ever, and she's just... there. i'd like to know her story, though. i'm sure i could figure much more of it out on a second read-through. she's obviously been dealt a bad hand, what with the almost nonconsensual incest with charles, and the later abuse, so it's worth piecing more of her character together.


i have no words for charles or francis. they're both pretty well-known to richard so there's not much more to interpret. but francis should've agreed to run away with richard, at the end. they'd've been happier together, i believe.  but, oh well. 


should say though, richard... is no saint. he's not sane. that's the wrong term, sorry—i meant, he's not normal. i know he frames himself as the most straight out of them all, but really, no normal individual would've stuck to them as closely he did, even after finding out about the battenkill murder, and then aiding them in killing their own friend (birds of a feather flock together). recognising that it was wrong doesn't really shake him. honest to god, he's borderline sociopathic in his apathy. he's intrigued by it all. maybe if not sociopathic, he's psychopathic—somewhere on the spectrum, at least. his grief is only the mirror of other people, not completely his own. him blatantly saying that for a moment there, he wanted to assault camilla—you can imagine how upsetting that was to me.


all this rambling to say, this is definitely an all-time favourite. couldn't love it more.

📖 ~ We Are Okay

rating: 3.75/5 life is so interesting. this was one of the first books i came by in 2020 which somehow stayed in my memory and by tbr. the o...